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Posted on September 4th, 2011 by jsurba.
Categories: Ancient Kuzhebar, exhibitions, Julia Surba, music instruments, Nadishana, performance, Pyrography Art.
 ßþчõüу òы ÿрõôÿþчûø øóрðть ýð üýþóøх øýÑÂтруüõýтðх, ð ýõ ýð
þôýþü, ýþ ò ÑÂþòõршõýÑÂтòõ?
Ã’. ÃÂ.: ÃÂтþ ÑÂòÑÂ÷ðýþ Ѡтõü, чтþ ѠрþôøÃȄÂѠø òырþѠò óûуñøýúõ àþÑÂÑÂøø. âþóôð ýõ ñыûþ ýø рыýúþò üу÷ыúø, ýø øýÑÂтруüõýтþò, úðúøõ üýõ ñыûø øýтõрõÑÂýы, ýø Øýтõрýõтð. ßрøхþôøûþÑÂÑŒ òÑÂÑ‘ ôõûðть ÑÂðüþüу, ýþ ÑÂтþ ôðûþ üýõ ñþûьшþõ ÿрõøüущõÑÂтòþ. Ã’ Õòрþÿõ ÑÂõùчðѠøýфþрüðцøю ÿþûучðют ÷ð þôøý úûøú, ð øýÑÂтруüõýт ÿрøþñрõтðют ò Øýтõрýõтõ, ûюñþù. á þôýþù ÑÂтþрþýы,
ÑÂтþ хþрþшþ, Ѡôруóþù  þчõýь рð÷рушøтõûьýþ. ÃÂтþ уÿрþщðõт, уñøòðõт ò чõûþòõúõ öðöôу ÑÂþ÷ôðòðть чтþ-тþ ÑÂòþё, úþóôð уöõ òÑÂÑ‘ õÑÂть. àþÑÂÑÂøѠтþûьúþ ò ýðчðûõ ÿутø ú ÑÂтþüу ø÷þñøûøю. ÃÂтýþ-üу÷ыúþù ÑÂõóþôýѠýõ ÷ðýøüðõтÑÂѠтþûьúþ ûõýøòыù, ø òÑÂÑ‘ øôёт ýð «урð». ÿþÑÂтþüу урþòõýь ÑÂтýþúуûьтуры тут ÷ýðчøтõûьýþ ýøöõ. ÃÂõт трðôøцøø, шúþûы, ôõûõýøѠýð ÿрþфø ø ûюñøтõûõù. Úтþ ÿõрòыù  тþт ûучшøù. ÃÂþ üýõ ÑÂтþ хðþтøчýþõ ôòøöõýøõ ýрðòøтÑÂÑÂ, ÿþтþüу чтþ ò Õòрþÿõ ôðòýþ þтÑÂутÑÂтòуõт тðúþù рõ÷úøù рþÑÂÑ‚ øýтõрõÑÂð ú ÑÂтýøчõÑÂúþù üу÷ыúõ. 
 Úðú òы ÿрøôуüыòðõтõ ýþòыõ øýÑÂтруüõýты?
Ã’. ÃÂ.: àðýьшõ, úþóôð ÑÂûушðû ÑÂтýøчõÑÂúую üу÷ыúу ò ÷ðÿøÑÂø, Ѡýõ ÷ýðû, úðú òыóÃȄÂôÑÂÑ‚ øýÑÂтруüõýты, ø ýõ üþó ýøóôõ ýð ýøх ÿþÑÂüþтрõть. ÃÂðчøýðû ÿрõôÑÂтðòÃȄÂть, úðú þýø рðñþтðют, ø÷ чõóþ Ѡüþóу øх ÑÂôõûðть. ÃÂð ÑÂтþ у üõýѠушûþ ýõüðûþ òрõüõýø, ýþ ò рõ÷уûьтðтõ ÿþÑÂòøûþÑÂÑŒ üýþóþ ÑÂтрðýýых øýÑÂтруüõýтþò. Ñуôучø ÿþôрþÑÂтúþü, Ѡôõûðû øх ø÷ ÿруöøý, ø÷ ÿûðÑÂтøýþú (ø÷ ÑÂтðрых шõûûðчýых, õщё ôþ òøýøûð úþтþрыõ ñыûø, þýø öёÑÂтúøõ ø у ýøх хþрþшøù ÷òуú), ø÷ úþфõùýых ñðýþú, ÿþ-рð÷ýþüу ýðÑÂтрþõýýых (øх üþöýþ ýðÑÂтрðøòðть Ѡÿþüþщью ÿûðÑÂтøûøýð: òýутрь ÿрøûõÿøшь üðûõýьúøù úуÑÂþчõú  ø тþý üõýÑÂõтÑÂÑÂ). áõùчðѠѠüþóу ÑÂþ÷ôðòðть ñþûõõ ÑÂþòõршõýýыõ фþрüы ø òþÿûþщðть ÑÂòþø øôõø Ѡÿþüþщью ôру÷õù-üðÑÂтõрþò. ÃÂðÿрøüõр, у üõýѠñыûø óуÑÂûø, ÑÂøтðр, óøтðрð ø üðýôþûð, ýþ Ѡхþтõû òþ÷øть Ñ ÑÂþñþù ýõ чõтырõ, ð þôøý øýÑÂтруüõýт. âðú ÿþÑÂòøÃȄÂѠóøñрøô  ô÷уôôðхþрô ѠтрõüѠøóрþòыüø ÷þýðüø ø ôòуüѠóрøфðüø. ÒüõÑÂтõ Ѡýøü  ýþòþõ ÷òучðýøõ, ýþòыõ тõхýøúø øóры, ýõòþ÷üþöýыõ ýð øýÑÂтруüõýтðх, ø÷ úþтþрых þý ÑÂôõûðý, ò þтôõûьýþÑÂтø. áþñÑÂтòõýýþ, ÑÂтð уýøúðûьýþÑÂть ø òôþхýþòÃȄÂõт ýð ôðûьýõùшøõ ÿþøÑÂúø. Üу÷ыúð  тðúðѠштуúð… õù ýõûь÷ѠýðучøтьÑÂÑÂ, ò ýõù õÑÂть чтþ-тþ ýÃ楟ûþòøüþõ. ÃÂþ ýðш уü ÑÂтрõüøтÑÂÑ ÑÂтþ ÿþ÷ýðть. ÃËœ òþт ÑÂтð ÿþÿытúð ÿþ÷ýðть ýõÿþ÷ýðòðõüþõ ø õÑÂть тòþрчõÑÂтòþ, ÿрþцõÑÂѠúþтþрþóþ ñõÑÂúþýõчõý ø ôûѠüõýѠÑÂòÃȄÂõтÑÂѠÿрøúûючõýøõü. ï  øÑÂúðтõûь ÿрøúûючõýøù, ø ÑÂтþ üþù ÑÂÿþÑÂþñ.
 áõóþôýѠò фþûú-üу÷ыúõ üýþóþ ýðÿрðòûõýøù. Úðú òы ú ÑÂтþüу рð÷ýþþñрð÷øю þтýþÑÂøтõÑÂÑŒ?
Ã’. ÃÂ.: ï, чõÑÂтýþ óþòþрÑÂ, ò ýøх ýõ þчõýь хþрþшþ рð÷ñøрðюÑÂÑŒ, хþть ø ÑÂчøтðю, чтþ øüõю шøрþúую ÑÂфõру øýтõрõÑÂþò. Úðöôыù ôõýь ÿþÑÂòÃȄÂÑŽÑ‚ÑÂѠúðúøõ-тþ ýþòыõ ýð÷òðýøѠÑÂтøûõù. ÃÂþ õÑÂûø ÿþÑÂûушðть, тþ ÿþýøüðõшь: ýøчõóþ ýþòþóþ тðúøü þñрð÷þü ýõ ÑÂþ÷ôðõтÑÂÑÂ. ÃÂтþ ÿрþÑÂтþ ýþòыù ÑÂрûыú ýð ÑÂтðрþü ÑÂòûõýøø, ð ò ýёü ø÷üõýøûø, ÑÂúðöõü, тþûьúþ ýðñþр ÑÂÑÂüÿûþò ø ûуÿþò, ÑÂúðчðò øх ò Øýтõрýõтõ. Òþт тðú òþ÷ýøúðют ÑÂþòрõüõýýыõ ÑÂтøûø, ò üу÷ыúðûьýþü ÑÂüыÑÂûõ ÷ýðчõýøѠýõ øüõющøõ. ÜõýѠñþûьшõ øýтõрõÑÂуют þтôõûьýыõ ÑÂрúøõ øýôøòøôуðûьýþÑÂтø ò üу÷ыúõ, üу÷ыúðýты, øôущøõ ÑÂòþøü ÑÂþñÑÂтòõýýыü ÿутёü, ñõ÷ þрøõýтðцøø ýð üþôýыõ ÑÂтøûø. ÞÑÂþñõýýþ ûюôø у
úþтþрых õÑÂть ø þôðрёýýþÑÂть þт ÿрøрþôы, ø òыÑÂþúðѠÑÂтõÿõýь òýутрõýýõù ôøÑÂцøÿûøýы. ï ÑÂчøтðю, ò üу÷ыúðýтõ ôþûöýþ ñыть 10 % тðûðýтð ø 90 % ôøÑÂцøÿûøýы. Ñõ÷ ÿþÑÂûõôýõù ýõ ÿþûучøть ÷рõûыù üу÷ыúðûьýыù ÿрþôуúт.
â€â€Ã§Ñ‚þ тðúþõ ôрõòýõúуöõñðрÑÂúðѠúуûьтурð ø õÑÂть ûø рõðûьýыõ ôþúð÷ðтõÃȄ΄Âтòð õё ÑÂущõÑÂтòþòðýøÑÂ?
Ã’. ÃÂ.: Ãâ€Ã‘€ÃµÃ²Ã½Ã¸Ãµ úуöõñðрцы  ÑÂтþ üðûðÑÂ, ýøчõü ýõ ÿрøüõчðтõûьýðѠýðрþôýþÑÂть, úþóôð-тþ ÿрþöøòðòшðѠýð юóõ áøñøрø. Ã’ ôðûьýõùшõü õё úуûьтурð ñыûð ðÑÂÑÂøüøûøрþòðýð ñþûõõ úруÿýыüø ýðрþôðüø. ßþ þôýþù ø÷ ûõóõýô ÑÂûþòþ «ÃºÑƒ-öõñþр» þ÷ýðчðõт ûõÑÂ, ò úþтþрþü рþÑÂûø ÿõрòыõ рðÑÂтõýøÑÂ. ÃÂþ ÑÂтþ тþûьúþ þôýð ø÷ òõрÑÂøù, тðú úðú úуöõñðрцы ÑÂþ÷ôðòðûø ÿðрðûûõûьýыõ
рõðûьýþÑÂтø ø øх ÷ðÑÂõÃȄÂûø. ÃËœ úðöôþù ø÷ ýøх ÑÂþþтòõтÑÂтòуõт ÑÂòþѠòõрÑÂøѠтþóþ, чтþ тðúþõ Ãâ€Ã‘€ÃµÃ²Ã½Ã¸Ã¹ Úуöõñðр.. àôþúð÷ðтõÃȄ΄Âтòð õóþ ÑÂущõÑÂтòþòðýøѠüþöýþ ýðùтø ýð ÑÂðùтõ [http://vkontakte.ru/away.php?to=[http://vkontakte.ru/away.php?to=http://www.nadishana.com/|http://www.nadishana.com/]|www.nadishana.com], ÿûюѠѠ þôýþ ø÷ ôþúð÷ðтõÃȄ΄Âтò. ÒûðôøÑÂòðр ÃÂðôøшðýð, úÑÂтðтø  чøÑÂтþ ôрõòýõúуöõñðрÑÂúþõ øüÑÂ, чтþ-тþ тøÿð Øòðý ßõтрþò. Ñþûõõ ÿÑÂтýðôцðтø ûõт üы Ѡõôøýþüышûõýýøúðüø тòþрчõÑÂúø ÿõрõрðñðтыòðõü ÑÂûõüõýты ÑÂтþù úуûьтуры ø ÿþúð÷ыòðõü ûюôÑÂü.
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«ÃÂõÑÂущøõ üøру üуôрþÑÂть Ãâ€Ã‘€ÃµÃ²Ã½ÃµÃ³Ã¾ Úуöõñðрð» ÿþúð÷ðûø õё ø ÿõрüÑÂúðü. ÃÂðôøшðýð ÿрøòё÷ «Ã»Ã¾Ã²Ñ†Ã° ôухþò», ÿрøýðôûõöðщõóþ ú óруÿÿõ ôрõòýõúуöõñðрÑÂúøх øýÑÂтруüõýтþò. ßþ ÑÂтрþõýøю þý ÿрþÑÂт ôòõ ÑÂтруýы, ýðтÑÂýутыõ ýð üðûõýьúøù óрøф, ð ÿþ ýð÷ýðчõýøю  тðú ýõ þчõýь. á ÿþüþщью ýõóþ шðüðýы òхþôøûø ò úþýтðúт Ѡúþûûõúтøòýыü ÑÂþ÷ýðýøõü òøруÑÂþò ø ýðÑÂõúþüых. ÒûðôøÑÂòðр øÑÂÿþûýøû «Ã’øруÑÂýыù ýðøóрыш» ø «Ã¢Ã°Ñ€Ã°ÃºÃ°Ã½Ã½ÑƒÑŽ Ã¿ÃµÑÂýю». Ãâ€Ã‘€ÃµÃ²Ã½Ã¸Ãµ úуöõñðрцы ÑÂчøтðûø тðрðúðýþò ôру÷ьÑÂüø чõûþòõúð ø чðÑÂтþ ÿрþÑÂøûø
øх ÑÂôõûðть úðúую-тþ рðñþту, ýð úðúую ûюôø ÑÂðüø ñыûø ýõ ÑÂÿþÑÂþñýы.
ÕÑÂть ø ôруóþù ûþòõцôухþò  ôухþòþù шðüðýÑÂúøù øýÑÂтруüõýт, øÑÂÿþûь÷þòðòшøùÑÂѠѠцõûью þхþты ø ýðÿþüøýðющøù шûðýó. Ãâ€Ã‘ƒÑ…ø ñыûø þÑÂýþòýþù õôþù ò Ãâ€Ã‘€ÃµÃ²Ã½ÃµÃ¼ Úуöõñðрõ ø ôõûøûøÑÂÑŒ ýð трø úðтõóþрøø: ÑÂъõôþñýыõ, ÿþÃȄĄÂъõôþñýыõ ø ÑÂôþòøтыõ. Þхþтð ÿрþхþôøûð тðú: ôухø ÑÂðôøûøÑÂÑŒ ýð ÿрþтøòþÿþûþöýыù úþýõцøýÑÂтруüõýтð, ø øÑÂÿþûýøтõûь, уÿрðòÃȄÂѠøýÑÂтруüõýтþü, úðú ûðÑÂÑÂþ, ôõûðû óûуñþúøù òôþх. ÃÂðôøшðýð, ø ÑÂтþ ÑÂûышðûø òÑÂõ, ÑÂъõû ÑÂъõôþñýþóþ, чтþñы ÿþýðÿрðÑÂýу ýõ рøÑÂúþòðть.
Õщё у ÑÂтþù üðûõýьúþù, ýþ ôухþòýþ þñõÑÂÿõчõýýþù ýðрþôýþÑÂтø ÑÂущõÑÂтòþòðûþ ÿрõôÑÂтðòûõýøõ þ тþü, чтþ чõûþòõú ÑÂþÑÂтþøт ø÷ ôòух тõû  ÿрðòþóþ ø ûõòþóþ. ÑðûðýѠøх øóрðû òðöýую рþûь, ÿþÑÂтþüу õóþ ýõþñхþôøüþ ñыûþ ÿþôôõрöøòðть. Ã’ ýðшõü üøрõ у ûюôõù ýðñûюôðõтÑÂѠôøÑÂñðûðýÑÂ, ø÷-÷ð чõóþ òþ÷ýøúðõт üýþóþ ÿрþñûõü ÑÂþ ÷ôþрþòьõü, ÿрõöôõ òÑÂõóþ ÿÑÂøхøчõÑÂúøü. Úуöõñðрцы ûõчøûø üу÷ыúþù тðúþõ ÑÂõрьё÷ýþõ ÷ðñþûõòðýøõ, úðú üþ÷óþòðѠýõÿрþхþôøüþÑÂть. Ã’ ýðшõ òрõüѠþýþ ýõ ÿþôòõрóðõтÑÂѠтõрðÿøø, ÿþтþüу чтþ
ÑÂþòрõüõýýыüø òрðчðüø ÑÂчøтðõтÑÂѠýþрüðûьýыü ÑÂþÑÂтþÑÂýøõü чõûþòõúð, ø ò рõ÷уûьтðтõ ÿрøþñрõтðõт хðрðúтõр ÑÂÿøôõüøø. çтþñы óðрüþýø÷øрþòðть ÿрðòþõ ø ûõòþõ тõûð, ýуöýþ øóрðть ýð ôòух øýÑÂтруüõýтðх þôýþòрõüõýýþ. ÃÂðôøшðýð øÑÂÿþûь÷þòðû ôòõ þñõртþýþòыõ фûõùты.
Úрþüõ ýøх, ÒûðôøÑÂòðр ÿрþôõüþýÑÂтрøрþòðû ñþóðтõùшøõ ðртøúуÃȄÂцøþýýыõ òþ÷üþöýþÑÂù Ñ‚ÑÂððù ýÿûðùü, ûðþÑÂÑÂúþù фûõùты ÿûõüõýø хüþýó, úþтþрðѠòхþôøт ò óруÿÿу freereedsýðрÑÂôу ѠúøтðùÑÂúøüø ÑÂ÷ычúþòыüø фûõùтðüø хуÃȄĄÂø ø ñðòу. Þý ÿрø÷ýðÃȄÂÑÂ, чтþ ÑÂþñøрðõт ýõ тþûьúþ øýÑÂтруüõýты, ýþ ø ÑÂтрðýýыõ ÑÂÿþÑÂþñы øх ÿрøüõýõýøÑÂ. âÑÂððù ýÿûðùü øÑÂÿþûь÷уют ò ñрðчýþù üðóøø. îýþшø ÑÂþрõòýуютÑÂѠò øóрõ ýð ýõù, чтþñы ÿþñõôøтõûю ò öёýы ôþÑÂтðûðÑÂÑŒ ÑÂðüðѠúрðÑÂøòðѠôõòушúð.
ÃÂðôøшðýð ø÷üõýøû ñы ÑÂõñõ, õÑÂûø ñы ýõ ÑÂыóрðû ýð óøñрøôýþü úðòðûõ  рð÷ýþòøôýþÑÂтø ñõÑÂÑÂòøÑÂтúþòþù ÿрþôþûьýþù фûõùты, ÿрøôуüðýýþù õóþ ôруóþü Ãâ€Ã°Ã²Ã¸Ã´Ã¾Ã¼ äðуûьòðÑÂÑÂõрþü. ÃÂð ýõù òþ÷üþöýð øóрð ò ýõÑÂúþûьúøх øóрþòых ÿþ÷øцøÑÂÑ…, ÿрøüõýÑÂõüых ò рð÷ýых ÑÂтýøчõÑÂúøх трðôøцøÑÂÑ…: ýð турõцúþü úðòðûõ (ò ÿрðòþü уóûу óуñ), ýð ÿõрÑÂøôÑÂúþü ýõõ (üõöôу òõрхýøüø ÿõрõôýøüø ÷уñðüø), ýð хðúðÑÂÑÂúþü хþñрðхõ (üõöôу òтþрыü ø трõтьøü òõрхýøüø ÷уñðüø) ø ýð шðúухðчø (ò цõýтрðûьýþù чðÑÂтø ýøöýõù óуñы ÑÂ
þÿþрþù ýð ÿþôñþрþôþú). ØýÑÂтруüõýт øüõõт ôòõ ÑÂüõýýыõ øóрþòыõ труñúø: Ñ 8-ôырþчýþù ÑÂøÑÂтõüþù турõцúþóþ úðòðûð ø 9-ôырþчýþù ÑÂøÑÂтõüþù ðрüÑÂýÑÂúþóþ ñûюûð.
×ðтõü ÃÂðôøшðýð ÿуÑÂтøû ò хþô ÑÂòþøх «Ã»Ã¸Ã»Ã¸Ã¿ÑƒÑ‚þò»  ÿõрòыù ÑÂøýтõ÷ðтþр, ø÷þñрõтõýýыù 3 тыÑÂÑÂчø ûõт ôþ ý. ÑÂ. ò Úøтðõ, üþñøûьýыù ø ýõ úушðющøù ÑÂûõúтрøчõÑÂтòð, ÿþртðтøòýую ñðÑÂ- óøтðру, ÑÂþñрðýýую ø÷ ÿÑÂтø òьõтýðüÑÂúøх òðрóðýþò ôðý üþø.
ÃÂõ÷ðñыòðõüþù ñыûð ø ÿõрúуÑÂÑÂøÑÂ. ÒþôÑÂýþù уôу  ñðрðñðý, òýутрø úþтþрþóþ òþôð ÑÂþÑÂтðòÃȄÂõт 1/20 õóþ þñъёüð. ÒûðôøÑÂòðр ÷ðüõтøû, чтþ õÑÂûø ÿрþÿþрцøю чуть-чуть ø÷üõýøть, рðñþтðть øýÑÂтруüõýт ýõ ñуôõт. ÃËœ, úþýõчýþ, Ñ…ÑÂýóôрðü. ÃÂðôøшðýð рðÑÂÑÂúð÷ðû ÷ðñðòýую øÑÂтþрøю þ öø÷ýø ÑÂтþóþ øýÑÂтруüõýтð ýð õóþ рþôøýõ, ò àþÑÂÑÂøø: «Ã’ÑÂüþтрøтõÑÂÑŒ хþрþшþ ò ÿðüÑÂтýøú Üøýøýу ø ßþöðрÑÂúþüу. ßþöðрÑÂúøù ôõрöøт ò руúõ ÿõрòыù Ñ…ÑÂýóôрðü, у úþтþрþóþ ñыûð õщё тþûьúþ þôýð ýþтð. Üøýøý óþòþрøт ßþöðрÑÂúþüу: «Ã¡ÃºÃ¾Ñ€Ã¾ þ тòþёü Ñ…ÑÂýóôрðüõ у÷ýðõт òõÑÂÑŒ üøр». ÃÂþ тþт «рøÑÂуõт» ýð ûøцõ ÑÂþüýõýøõ. à÷рÑÂ, òõôь тðú ø ÿрþø÷þшûþ. ÃÂтþт øýÑÂтруüõýт хрðýøÃȄÂѠò тðùýøúðх цðрÑÂúþù ÑÂõüьø. Ñþûьшõòøúø ÑÂтðрðûøÑÂÑŒ ôþñыть õóþ, ø øü ÑÂтþ уôðûþÑÂÑŒ, ÿуÑÂть ø úрþòðòыü ÿутõü. æøþûúþòÑÂúøù ýðчðû ôþрðñðтыòðть øýÑÂтруüõýт, рðÑÂÑÂчøтыòðѠÑÂôõûðть ÑÂõúрõтýþõ úþÑÂüøчõÑÂúþõ þруöøõ. ÃÂþ ÿþ ÿрøчøýõ ÿõрõÑÂтрþùúø ÿрþõúт ÷ðüþрþ÷øûø. èòõùцðрцы òыúрðûø ø÷þñрõтõýøõ ø ÑÂôõûðûø ýð ýёü ñø÷ýõÑÂ. Üýþóþ ÿþ÷ôýõõ óруÿÿð ÑÂýту÷øðÑÂтþò, ÑÂÿõцøðûøÑÂтþò ÿþ уÿрðòûõýøю ÑÂþ÷ýðýøõü, øÑÂÿþûь÷þòðûð õóþ ôÃȄʄÂþ÷ôðýøѠüðÑÂÑÂþòых ÿÑÂøхþ÷þò ø ÑÂтþ у ýøхÿþûучøûþÑÂÑŒ. ßþÑÂтþüу øýþóôð ûюôø ýð úþýцõртðх ýðчøýðют хûþÿðть õщё ôþ тþóþ, úðú Ѡýðчøýðю ýð ýõü øóрðть».
Ã’ úþýцõ òõчõрð ÃÂðôøшðýð òüõÑÂтõ ÑÂþ ÑÂòþõù ÿþüþщýøцõù – хуôþöýøúþü-ÿøрþóрðфþü,ôø÷ðùýõрþü îûøõù áурñþù ÿþúð÷ðûø ôрõòýõúуöõñðрÑÂúøù шðüðýÑÂúøù рøтуðû. Ã’ ÿþóþöøù ôõýьôòð шðüðýð, тðýцуѠø øóрðѠýð ôòух øýÑÂтруüõýтðх, ÷ðхòðтыòðûø úòðýты ÑÂòõтð ø ýðúðÿûøòðûø ÑÂþûýõчýую ÑÂýõрóøю, чтþñы ÿþтþü ÿрõþñрð÷þòðть õё ò òøтðüøý D. âðúþù рøтуðû ÿрþòþôøÃȄÂѠþñычýþ ò Ãâ€Ã‘€ÃµÃ²Ã½ÃµÃ¼ Úуöõñðрõ ôòð рð÷ð ò óþô: òõÑÂýþùø þÑÂõýью, ø ñыû тõÑÂýþ ÑÂòÑÂ÷ðý Ñ ÑÂþûýõчýþù ðúтøòýþÑÂтью. Üõтþô, øÑÂÿþûь÷þòðòшøùÑÂѠшðüðýðüø, ÑÂхþö ѠþÿøÑÂðýøõü ÿрþцõÑÂÑÂð фþтþÑÂøýтõ÷ð у рðÑÂтõýøù. Úуöõñðрцы ýõ þтôõÃȄÂûø рðÑÂтøтõûьýыù üøр þт üøрð чõûþòõúð. çõûþòõúòþÑÂÿрøýøüðÃȄÂѠøüø úðú чðÑÂть рðÑÂтøтõûьýþóþ üøрð, ð рðÑÂтõýøÑÂ, úðú чðÑÂтьчõûþòõчõÑÂúþóþ. ßþûýðѠфþрüð рøтуðûð утрðчõýð, ýþ ýõúþтþрыõ õóþ ÑÂûõüõýты уôðûþÑÂÑŒ рõúþýÑÂтруøрþòðть. ÞÑÂýþòýыü øÑÂтþчýøúþü ÿþÑÂûуöøûð ûõóõýôð þ ôрõòýõúуöõñðрÑÂúþü óõрþõ ëыш-ÃÂð. ÃÂð òõршøýõ óþры þý уòøôõû тðýõцÑÂòÑÂщõýýых ÿтøцãрхðт ø ÃÂðрух ø ÿþýÑÂû, úðú þýø ôþñыòðют ÑÂòþю üðóøчõÑÂúую ÑÂøûу.
îûøѠрðÑÂÑÂúð÷ðûð ýðü, úðú þúð÷ðûðÑÂÑŒ Ñ€ÑÂôþü ѠÒûðôøÑÂòðрþü ø ÿþчõüу ÿрþôþûöðõт ÑÂþ÷ôðòðть òø÷уðûьýþõ ÑÂþÿрþòþöôõýøõ õóþ úþýцõртþò:
 Ã’ÑÂÑ‘ ýðчðûþÑÂÑŒ Ѡтþóþ,чтþ òþúруó ÑÂõñѠхþтõûþÑÂÑŒ þÑÂþñþóþ üøрð. ï ø÷ тþóþ ÿþúþûõýøÑÂ, úþóôð òÑÂõ òыóÃȄÂôõûø тðú, úðú ñуôтþ øх рðÑÂтøûø ò øýúуñðтþрõ. ÞôøýðúþòþÑÂть, ÑÂõрыõ, уýыûыõ ûøцð. ßþÑÂтþüу ÿõрòыü тòþрчõÑÂúøü ÿрþõúтþü ÑÂтðû тõðтрðûьýыù. áþñрðýýðѠüýþù ýõñþûьшðѠóруÿÿð þôýþúûðÑÂÑÂýøúþò (ýðü ñыûþ тþóôð ÿþ 10-11 ûõт) ÿþúð÷ыòðûð ýðшø úуúþûьýыõ ÑÂÿõúтðúûø ò ôõтÑÂúøх ÑÂðôðх ø Ѡуÿþõýøõü рõÿõтøрþòðûð ÑÂþñÑÂтòõýýыõ ÿьõÑÂÑ‹. ßþтþü Ѡ÷ðýÑÂûðÑÂÑŒ ôø÷ðùýþü þôõöôы. ÃÂðчðûð ø÷учðть хуôþöõÑÂтòõýýую úуûьтуру ýðрþôþò üøрð ø ÑÂтþûúýуûðÑÂÑŒ Ѡтðúøüø «шõôõòрðüø» úðú ôрõòýøõ шуüõры ø õóøÿтÑÂýõ. àõшøûð øÑÂÿþûь÷þòðть ÑÂтýøчõÑÂúøõ þñрð÷ы ø üþтøòы ò ÑÂòþøх ÑÂøýтõ÷-ÿрþõúтðх. áõùчðѠüýõ хþчõтÑÂѠýðùтø ðрхõтøÿøчýыù, ÑÂøüòþûøчõÑÂúøù ÑÂ÷ыú, úþтþрыù ñуôõт у÷ýðòðõü рð÷ýыüø ûюôьüø,ôðöõ тõüø, úтþ ÷ðñыû úуûьтуру ÑÂòþøх ÿрõôúþò. çтþ-тþ óûуñøýýþõ, рþôýþõ, òþÑÂÿрøýøüðõüþõ øýтуøтøòýþ.
 çõü ÿрøтÑÂóðтõûьýы ôûѠòðѠôрõòýøõ úуöõñðрцы?
î. á.: Øх úðртøýþù üøрð. Þýð ñыûð þчõýь óøñúþù ø ýõûøýõùýþù. ÃËœ ýðôþÑÂúð÷ðть, чтþ ò ÷ðòøÑÂøüþÑÂтø þт тþóþ, úðú üøр þÿøÑÂыòðÃȄÂÑÂ, тðú úуöõñðрцы ø ôõùÑÂтòþòðûø ò ýёü. ×ðüõчðтõûьýð ÑÂðüð ÿþ ÑÂõñõ фøóурð ÑÂþ÷ôðтõûѠÃâ€Ã‘€ÃµÃ²Ã½ÃµÃ³Ã¾ úуöõñðрð- ïóôыýð, úþтþрыù, ÿþ ÿрõôðýøю, тòþрøû ÷òуúþü. ã ýõóþ ñыûþ чõтырõ ûøúð, ýðÿрðòûõýýых ò рð÷ýыõ ÑÂтþрþýы ÑÂòõтð, ø úðöôыù þòõòðÃȄÂѠþÑÂþñыü òõтрþü. á ÿþüþщью ÷ðóðôþчýых þтрþÑÂтúþò ýð ûøцõ þý ø÷òûõúðû ÷òуúø ø÷ ÑÂòþõù üðóøчõÑÂúþù фûõùты. ïóôыý øüõû ôòух òÑÂõóôð ñþôрÑÂтòующøх ÑÂÿутýøúþò, ÿþüþóðющøх рõðûø÷þòыòðть õóþ тòþрчõÑÂúøõ øôõø. («ÃÂõ ÃÂðôøшðýðûø Ѡáурñþù þûøцõтòþрÑÂÑŽÑ‚ øх ò ýðшõü üøрõ?»  тут öõ ÿþôуüðûþÑÂÑŒ ýðü.)
 á úðúøüø üøфþÿþÑÂтøчõÑÂúøüø þñрð÷ðüø òы рðñþтðõтõ ÑÂõùчðÑÂ?
î. á.: ×ðúðýчøòðю ÿтøчью трøûþóøю. ãöõ ÑÂôõûðûð ÿтøцу þüрðчõýøѠø ÿтøцу рðôþÑÂтø. ÞÑÂтðûðÑÂÑŒ ÿтøцð üуôрþÑÂтø.- Úðú ø òþ üýþóøх ôруóøх üøфþûþóøÑÂÑ…, у úуöõñðрцõò ÿтøцы ÑÂòÃȄÂÑŽÑ‚ÑÂѠÿрþòþôýøúðüø ú þÿрõôõûёýýþù ÑÂøûõ  рð÷рушøтõûьýþù, ÑÂþ÷øôðющõù øûø ñðûðýÑÂøрующõù ýð óрðýø ÑÂтøх ÿрþтøòþÿþûþöýþÑÂтõù. áчøтðûþÑÂÑŒ, чтþ úðöôðѠÿтøцð ÿрøхþôøт ú чõûþòõúу þôøý рð÷ ò öø÷ýø, ýþ þý ýõ ÷ýðõт, úтþ ø÷ ýøх úðúðÑÂ, ð ôþûöõý ÿþчуòÑÂтòþòðть õё, ÿþýÑÂтьÑÂтþ ÑÂðü ø рõшøть, Ѡúðúþù þý хþчõт ñыть ÑÂòÑÂ÷ðý.
â€â€Ã¯ ÷ýðю, чтþ òы ýõ þñычýыù хуôþöýøú, ð ÿøрþóрðф, рð÷рðñþтðòшøù ÑÂòþю тõхýøúу фþýþòþóþ, øûø øýòõртýþóþ òыöøóðýøÑÂ. Ã’ чõü õё ÑÂõúрõт?
î. á.: Õщё ò ôõтÑÂтòõ рþôøтõûø ÿþôðрøûø üýõ þчõýь уòûõúðтõûьýыù ÿрøñþр ÿþ òыöøóðýøю, ÷ð úþтþрыü Ѡÿрþòþôøûð ôþÑÂтðтþчýþ üýþóþ òрõüõýø. ßþтþü ÑÂтþ ÷ðýÑÂтøõ ушûþ ýð ÷ðôýøù ÿûðý, ýþ, þôýðöôы, ýðüýþóþ ÿþ÷öõ, Ѡ÷ðôуüðûð ÑÂôõûðть þôøý ðрт-þñъõúт ôûѠúþтþрþóþ, úðú üýõ ÿþúð÷ðûþÑÂÑŒ, ÿøрþóрðфøѠÿþôþшûð ñы ñþûьшõ òÑÂõóþ. ï тþóôð öøûð ò ÑÂøñøрÑÂúþù óûушø, ø рð÷ôþñыть ðÿÿðрðт ôûѠòыöøóðýøѠñыûþ ôþÑÂтðтþчýþ ÑÂûþöýыü ôõûþü. ÃÂþ чуôþü ýðшõÃȄÂѠÿþхþöøù у üþõóþ ôруóð-хуôþöýøúð. âðú ýðчðÃȄÂѠüþù ÿуть ò ÿøрþóрðфøю  öøòþÿøÑÂÑŒ þóýёü. áуть õё ÷ðúûючðõтÑÂѠò тþü, чтþ ýð ÿþòõрхýþÑÂть úðúþóþ-ûøñþ þрóðýøчõÑÂúþóþ üðтõрøðûð (ôрõòõÑÂøýы, ñуüðóø, úþöø,тúðýø) ÿрø ÿþüþщø рðÑÂúðûёýýþù øóûы ýðýþÑÂøтÑÂѠрøÑÂуýþú. ÜþѠтõхýøúð ÷ðúûючðõтÑÂѠò тþü, чтþ Ѡòыöøóðю фþý, þÑÂтðòÃȄÂѠрøÑÂуýþú, ÿþÑÂтþüу Ѡø þñþ÷ýðчðю õõ úðú øýòõртýую øûø фþýþòую. Ãâ€Ã»Ñ ÑƒÃ²ÃµÃ»Ã¸Ñ‡ÃµÃ½Ã¸Ñ Ã¾Ã±ÑŠÃµÃ¼Ã° Ѡøýþóôð øÑÂÿþûь÷ую рõ÷ьñу.ßøрþóрðфøчõÑÂúøõ ÿðттõрýы ò ÑÂþчõтðýøø Ѡрõ÷ьñþù ÑÂþ÷ôðют þñъёüýыõ рõûьõфýыõ úðртøýы ò ÑÂтøûõ TribalArt.
 àðýьшõ ÿøрþóрðф ñыû ñþûьшþù рõôúþÑÂтью. Ø÷üõýøûðÑÂÑŒ ûø ÑÂøтуðцøѠò ýþòþü òõúõ?
î. á.: ÃÂõт, хþрþшøх ÿøрþóрðфþò ÿþ üøру þчõýь üðûþ. ÃÂтþ ýõüþôýþõ ýðÿрðòûõýøõ. ×ðчðÑÂтую ÿøрþóрðфøчõÑÂúøõ ÑÂûõüõýты øÑÂÿþûь÷уют òôõúþрðтøòýþ-ÿрøúûðôýþü øÑÂúуÑÂÑÂтòõ ø óрðфøúõ ûøшь ôÃȄʄÂþ÷ôðýøѠôþÿþûýøтõûьýþóþ ôõúþрð. ÃÂþ õÑÂть ýõÑÂúþûьúþ øÑÂтøýýых хуôþöýøúþò-ÿøрþóрðфþò ò ÃÂüõрøúõ, ÃÂòÑÂтрðûøø, àþÑÂÑÂøø, тðúøх úðú áúþтт Üðрр, ßøтõр Ãâ€Ã‘ۄĄÂÑ‚, Üøхðøû ïýÑÂþý. Üы òхþôøü ò Üõöôуýðрþôýую ðÑÂÑÂþцøðцøю хуôþöýøúþò-ÿøрþóрðфþò (IAPA). àðñþты чûõýþò ðÑÂÑÂþцøðцøø òыÑÂтðòÃȄÂÑŽÑ‚ÑÂѠò ÑÂÿõцøðûьýþù þýûðùý-óðûõрõõ, тðúöõ òыхþôøт õöõüõÑÂÑÂчýыù öурýðû ÿþÑÂòÑÂщõýýыù ÿøрþóрðфøø – «Pyrograffiti“, úþтþрыù úурøруõт Úõтûøý Üõýõýôõ÷ тþöõ ò ñыòшõü хуôþöýøú-ÿøрþóрðф.
â€â€Ãâ€Ã°Ã²Ã½Ã¾ ÷ýðúþüы ѠÒûðôøÑÂòðрþü?
î. á.: Óôõ-тþ (уûыñðõтÑÂѠø ÑÂчøтðõт) ûõт 7.
 àúðú ôðòýþ ø óôõ ÑÂущõÑÂтòуõт òðшð ÑÂтуôøѠÚуöõñðр Ãâ€Ã¸Ã·Ã°Ã¹Ã½?
î. á.: áтуôøѠ«Úуöõñðр Ãâ€Ã¸Ã·Ã°Ã¹Ã½Â»Ã±Ñ‹Ã»Ã° þÑÂýþòðýð ò 2005 óþôу, þñрð÷цы õõ ÿрþôуúцøø Ѡÿрøòõ÷ûð Ñ ÑÂþñþù: øх ÷рøтõûø üþóут ø уòøôõть, ø ÿþтрþóðть, ø ÿþüõрÑÂть, ø, úþýõчýþ öõ, ÿрøþñрõÑÂтø. áõùчðѠòÑÂõü ÑÂтøü ÷ðýøüðюÑÂÑŒ ò Ñõрûøýõ. àõðûø÷ую ÑÂòþø üõчты. Ã’ àþÑÂÑÂøø öøть цõûøúþü ÷ð ÑÂчõт ÑÂòþõóþ тòþрчõÑÂтòð ôûѠüõýѠñыûþ ýõòþ÷üþöýþ.
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Ã’ ßõрüø îûøѠáурñð ôðûð üðÑÂтõр- úûðÑÂѠÿþ рþÑÂÿøÑÂø хýþù ôûѠòÑÂõх öõûðющøх ñõ÷ òþ÷рðÑÂтýых þóрðýøчõýøù. Ã¥ýõ þýð ýðшûð ñþûьшþù ôøðÿð÷þý ÿрøüõýõýøѠþт ôõúþрð üу÷ыúðûьýых øýÑÂтруüõýтþò, ÿрõöôõ òÑÂõóþ ñðрðñðýþò, ôþñþôø-ðртð. ÒûðôøÑÂòðр ÃÂðôøшðýð тþöõ ÿрþòёû üðÑÂтõр-úûðÑÂÑÂÑ‹ ÿþ øóрõ ýð òðрóðýðх ø þñõртþýþòых фûõùтðх. ãчøû ÑÂþ÷ôðòðть üøр ÷òуúþü.
áрõôø рðÑÂшøфрþòðýýых ÷ðÿøÑÂõù ôрõòýøх úуöõñðрцõò õÑÂть ÑÂòõôõýøѠþ ýðшõü «ÑÂõóþôýÑ». Øх üþöýþ øýтõрÿрõтøрþòðть ÑÂûõôующøü þñрð÷þü: «Ã’ ÑÂтþü üøрõ ÑÂущõÑÂтòуõт öёÑÂтúøù úþýтрþûь ÷ð туýýõÃȄÂüø рõðûьýþÑÂтø, ø÷ úþтþрых þñщõôþÑÂтуÿýыü ÑÂòÃȄÂõтÑÂѠтþûьúþ þôøý. ÑþûьшøýÑÂтòþ ûюôõù ÷ðÿõчðтðýы ò ýёü ѠôõтÑÂтòð ò ÿрøýуôøтõûьýþü ÿþрÑÂôúõ, ð ÑÂðü üøр ýðхþôøтÑÂѠò ýõóðтøòýþü учðÑÂтúõ ÑÂÿõúтрð рõðûьýþÑÂтø», ÿþÑÂтþüу üðûþ ôþÑÂтøóшøх ÑÂþÑÂтþÑÂýøѠÑÂчðÑÂтьÑÂ.
Üы öõ òüõÑÂтõ Ñ ÃÂðôøшðýþù ø îûøõù áурñð хþтøü ÿþöõûðть òðü, ýðшø чøтðтõûø, þñрõÑÂтø õóþ, òыùôѠø÷-ÿþô òûøÑÂýøѠüðýøÿуÃȄÂтøòýых тõхýþûþóøù ÑÂþòрõüõýýþÑÂтø ø, ÿþôþñýþ ôрõòýøü úуöõñðрцðü, þÑÂòþøò «Ã½Ã°ÑƒÃºÑƒÂ» тòþрõýøѠÑÂòþõù, ÑÂòþñþôýþù öø÷ýø.
ÖурýðûøÑÂÑ‚: ÕòóõýøѠÚýÑÂ÷õòð
äþтþ: Ãâ€Ã¼Ã¸Ñ‚рøù áðýøý
Posted on August 16th, 2011 by jsurba.
Categories: Kuzhebar Design, music instruments, Nadishana.
http://nadishana.com/cd – order CD (digipak) and listen to all samples
http://nadishana.com/fn_mp3 download @ artist website(much appreciated!)
http://www.cdbaby.com/cd/nadishanatrio – download @ cdbaby
http://bit.ly/FarAndNear – download @ iTunes
Innovative world fusion, unique style and virtuosity, unusual traditional and self-created instruments!
Nadishana – dzuddahord, hybrid kaval, futujara, hu-lu-si, bansuri, duclar, khomus, utar, tambujira, 1tone drum, mouthbow, various perc, sounds.
Armin Metz – 6-string fretless and fretted basses
Steve Shehan – self-constructed percussion kit, brushes, hang drum, spacedrum, sagattes, kendang, steel drums, hadgini, tuned udus, piano, likembe, conga, calabash, handsonic, knong wong, various perc.
Artwork – Julia Surba
"On their first album together, the members of "Nadishana Trio" bring to the recording studio an original repertory that has been captivating audiences for more than four years of performances in prestigious venues and festivals. What has been forged through collective interactions, now becomes an original concept that captures the spirit of their fruitful kinship.
Vladiswar Nadishana, the founder of the project, is a multidisciplinary Siberian artist with a deep knowledge of ethnomusicology, playing more than 100 instruments. He is joined by master percussionist Steve Shehan, a legendary world music innovator, member of the famous Hadouk Trio, and bass player Armin Metz, versed in different styles, from electronica, pop, to world fusion. The title of the album is a suggestive metaphor of their creative road map: "Far" is geographical distance, but also it is about traditions, a journey to an ancient time when music was evolving as a fundamental ingredient of human culture, while "Near" evokes spatial closeness, neighborhood, the fresh modernistic flavor intersected with its "Far" counterpart.
The variety of the musical themes and instruments we hear is impressive. There are original compositions along with skilled solos contributed by all three multi –instrumentalists who distill and blend layers of "Far" and "Near" in a polychromatic panoply composed of a wide array of influences and sources. We are taken to explore a world of harmonies infused by a cross-cultural symbiosis that resonates with the innermost chords of the soul.
Flowing happily like a mountain spring, the invigorating "Water song", opens the journey. As the musical flow progresses we pass through a mysterious "Hidden Door", reaching the "Vast lands" of the "Sanskar Valley", charmed by a mellow "Overtone story" , before "Riding north" surrounded by the dark melodious voice of the bass.
Then comes the silky "Far and Near", a melody you wish it never ends, and the ritual-like "Kuzhebarsko Horo" reminiscent of ancestral East-European circle dances. The inspiration flies high when the adventure slows pace with the delicate oriental beauty of the "Urhat", in which Nadishana’s sensuous kaval narrates an emotional intense melody. In tune with him, Armin Metz weaves rich bass tones, swirling like a snake made of velvet sounds, while sound wizard percussionist Steve Shehan radiates lights and shadows, whispers and silence, deepening the mystery.
But "Far&Near" is also an enriching sonic experience for listeners, as the album showcases a rich variety of percussion , woodwind and chords instruments of different origins, some of them invented by the musicians themselves . It is a momentary return to the sources of music when the humanity was closer to the nature than today. At the end of this fabulous journey, the three fellow storytellers leave us enchanted by the pure joy they shared with passion and virtuosity all along the way. From every angle, "Far and Near" is a vivid illustration of Longfellow’s words: "Music is the universal language of mankind."
Stefan Bocioaca
www.jazzworldquest.com
Posted on August 13th, 2011 by jsurba.
Categories: design, drums, Julia Surba, music instruments, pyrography.
Shaman drum: David&Roman Drums
Pyrography: Julia Surba
Diameter: 45 cm
similar drums are available in our music instruments shop
here
Posted on August 8th, 2011 by jsurba.
Categories: festivals, foto, music instruments, Nadishana.
pictures by Julia Surba
Posted on July 14th, 2011 by jsurba.
Categories: drums, Henna Art, henna painting, Julia Surba, Kuzhebar Design, music instruments.
Tuneable frame drum "Orange Flower"
diameter 42 cm with henna design
Frame drum: David & Roman Drums
Henna art: Julia Surba
Tuneable frame drum "Dream of India"
diameter 42 cm with henna design (henna on)
Frame drum: David & Roman Drums
Henna art: Julia Surba
Posted on July 6th, 2011 by jsurba.
Categories: Ancient Kuzhebar, drums, Henna Art, Julia Surba, music instruments.
In mythology of Ancient Kuzhebar Shuhur is a water spirit. It was usually presented as a water bird or a woman with bird attributes.
Shaman tuneable drum made by David&Roman Drums
drum diameter 50cm, deer skin
Henna Art by Julia Surba
You can order Shuhur shaman drum in our shop with rare ethnic music instruments
Posted on July 3rd, 2011 by jsurba.
Categories: Julia Surba, Kuzhebar Design, music instruments, Pyrography Art.
Snake compact didg
didg made by Yoram Sivan
Pyrography by Julia Surba http://art-ethno.com
Played by Marc Miethe didgesbrew.de
material: birch wood
key: D#, Toot: G
total length: 1,5 m
size of the compact model: 25 x 46 cm
you can buy this didg here
Posted on May 6th, 2011 by jsurba.
Categories: Julia Surba, music instruments, Pyrography Art.
Snake didg by Yoram Sivan
Pyrography by Julia Surba
Total length – 1,5 m
And here you can see the pyrography work in progress:
Posted on May 3rd, 2011 by jsurba.
Categories: music instruments, Nadishana, video.
http://nadishana.com/dvd – our DVD "Asymmetric Beauty" available here
Nadishana: futujara, water udu.
Dima Gorelik: ac., guitar.
David Kuckhermann: djembe, brushes
filmed by Julia Surba
Posted on April 23rd, 2011 by jsurba.
Categories: music instruments, Nadishana.
you can order DVD here
DVD ‘Asymmetric Beauty’
Tracklist:
1. Duclar Yn 11:36
2. Asymmetric Beauty 6:25
3. Twisted Dance 7:00
4. Aeyolio 2:08
5. Mechkin Kamen 11:20
6. Tsaaj 6:24
7. Malarkiza 6:13
8. Jumping in Cycles 5:10
9. Saekhar 11:45
10. Kongurei (bonus track) 7:35
TOTAL TIME 74:21
Nadishana: duclar(1,5), hulusi(7), futujara(8), water udu(8), bansuri(9), hybrid kaval(2,10), irish flute(4), kalyuka(3), tsaaj nplaim(6), jaw harp(10).
Dima Gorelik: ac., guitar, vocal (7)
Special guests:
David Kuckhermann (4, 8, 9): garrahand(9), udu(4), riq(4), djembe(8)
Raphael De Cock (10): vocal, khoomei, kargyraa, sygyt, uilleann pipes
Filmed by Julia Surba
"Joining talents and sensibilities, Vladiswar Nadishana and Dima Gorelik bring to life a multicolor spectrum of sonorities of ancient civilizations whose emotion and expressiveness transcends time and space. The musical treasures of Asia, Middle East and Europe, have been absorbed by these two accomplished musicians in a vibrant exploratory fusion impregnated with the freshness and the emotion of the improvisation. Now revealed on the DVD, their musical reunion allows us to see not just the amazing variety of instruments at work, many of them created by Vladiswar Nadishana himself, but also the synergy between the performers, including guest multi-instrumentalists David Kukchermann and Raphael De Cock.
Beyond the fascinating beauty of the compositions, what makes this filmed performance compelling is the way both musicians complement each other during their instrumental conversations tocreate a fascinating mythology of their own. Vladiswar Nadishana and Dima Gorelik share the same exploratory passion, which makes the duo a successful concept. Guitar and flutes engage in the dialogue with grace, have spontaneous exchanges, shift tempos while balancing nuances, everything organically integrated in a cohesive tapestry. "Asymmetric Beauty" as a whole reveals also a narrative quality of the music.
We hear a story unfolding, one composed of a utopian archetypal language, yet so familiar to our ears. This impression is reinforced by the inventive use of phrases, themes, timbres, each of them striking a chord, a feeling, giving a polyphonic dimension to the musical dialect. We found ourselves immersed in joy and melancholy, or surprised by twists and turns, involved in a magical atmosphere that goes straight to the soul. In all the world cultures music was praised for its healing power and "Asymmetric Beauty" is one of those rare creations that reflects this magical dimension. Just give it a try!"
______________________________
Stefan Bocioaca www.jazzworldquest.com